Divenire, an Italian verb that implies a natural process of change, grounds the exhibition in the tactile, earthy presence of unglazed clay. Unglazed forms—a hand, a torso with tree branches for a head, a body blooming with flowers—connects the anatomical to the mythic. These pieces invite viewers to complete the narrative, leaving space for what is to become. They are poetry in the raw, bridging the astral and the tangible, honoring the infinite possibilities of becoming.